The Art of MFF
The Cross of Peace: Visual Narrative
Origin of Matter
Fragments collected from the battlefields of Ukraine
Odesa, 2023 — Creation of The Cross of Peace
Viktor Bielchyk examining shrapnel fragments collected from the front lines.
Photo: Mariia Universaliuk
Fragments from 3,000 rifle cartridges used in the ornamentation of The Cross of Peace.
Photo: MFF Archive
“Fabric” elements made from 30 mm autocannon shell casings, forged into flat segments.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments are selected for their original form, preserved in the Ashes of War technique.
Photo: MFF Archive
Ornamentation of The Cross of Peace from cut cartridge bases of various calibres.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: Mariia Universaliuk
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Formation of the Christ Figure
The Ashes of War technique at work
Odesa, 2023 — Creation of The Cross of Peace
The first layer of fragments marks the beginning of the Christ figure.
Photo: MFF Archive
From several hundred tiny fragments, half of the Christ figure’s face begins to emerge.
Photo: MFF Archive
An intermediate stage in the emergence of the Christ figure in the Ashes of War technique.
Photo: MFF Archive
Chemically cleaned element prior to gold electroplating in the galvanic process.
Photo: MFF Archive
“Hair” and crown of thorns formed from elongated and spike-shaped fragments.
Photo: MFF Archive
Revelation of the Christ Figure in the Golden Form Emerging from Fragments.
Photo: Mariia Universaliuk
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive
Fragments of exploded shells form the foundation of the Ashes of War sculptures.
Photo: MFF Archive